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HW18: Essay on Adanggaman

 


WORTH:
3% of semester grade

CAN THIS BE TURNED IN LATE?: Yes, but with certain conditions

BE SURE TO FOLLOW THE FILE-NAMING CONVENTIONS FOR THIS COURSE (5% penalty if you do not).

All files should be saved on your computeras: your last name, followed by an underscore ("_"), followed by the first two letters of your first name, followed by an underscore ("_"), followed by the assignment number. So if a student named Saddam Hussein were to submit assignment number 18, the file name would be:


hussein_sa_18.doc

THIS IS ASSIGNMENT 18

We will use a rubric when grading your papers -- looking at the rubric BEFORE writing your essay will help you to understand how your paper will be evaluated and, accordingly, help you write a better paper (and get a better grade). See here. (ms-word document delivered to your desktop)




Imagine both that you are a famous historian of the trans-atlantic slave trade and that Roger Gnoan M'Bala’s film Adanggaman has just been released. The New York Post has asked you to write a review that assesses the historical accuracy of the film. Remember, the role of African elites and leaders (such as king Adanggaman in the film) in the Trans-Atlantic slave trade is well known; accordingly, you will have to assess other (but still significant) aspects of the film's portrayal of the trade. Historical inaccuracies, in the context of your review, may include not only aspects of the film that are outright false but also (and more interestingly) aspects that -- although plausible -- misrepresent what was typical or common for the slave trade at the time.

In short, take as the primary goal for your review answering this question:

How can the content of Roger Gnoan M'Bala’s film Adanggaman be interpreted to demonstrate that the film is (or is not) an historically accurate representation of BOTH the external and internal slave trade in West Africa in the seventeenth century?

 

 

(By internal slave trade, we mean the capture and sale of enslaved Africans within Africa for use as slaves within that continent. Be sure that when discussing the film's portrayal of the internal slave trade that you chose a scene that is explicitly and exclusively about this internal trade. Slaves were captured for both the internal and external slave trade. That a slave was captured within Africa does NOT make that capture part of the internal slave trade; the market to which that slave was sold--or intendeded to be sold--determines whether that capture was part of the internal or external slave trade)

Spend no more than a few sentences summarizing the story; again, your job here is to tell audiences whether or not what they are seeing is accurate -- not whether or not the film is good.

For the purposes of this paper, assume:

A) the history readings and this chart is accurate

B) The only history you need to know is contained in the course readings so far. We neither expect or want you to do outside research.

C) Your response can argue the film is entirely accurate, entirely inaccurate, or a mix of accuracies and inaccuracies.


Writing Requirements:

To receive full credit for this paper you must:

PAPERS THAT DO NOT IDENTIFY THE CLAIM/EVIDENCE/WARRANT UNITS WILL lose 10 points

1) underline your thesis

2) label your claim/evidence/warrant units (see below) with some clear system. For example, you might write (cl) or (ev) in the margins, or include the word (claim) before your claim. Remember, only paragraphs the present evidence will have claim/evidence/warrant units. Others -- your introduction, for example -- will not.

3) cite all references from the course readings. Example: (Tignor, p. 17)

4) Have three points of comparison between the film and the readings. For each point comparing the film to the reading, you must have at least on piece of evidence from the film and one from the reading or from the commodities chart.

5) Address BOTH the external and internal slave trade in West Africa. Papers that do not address the film's portrayal of the internal slave trade in West Africa will lose 15% of the top.

6) Finally, no outside research is necessary, desirable, or even permitted for this paper. DO NOT USE OUTSIDE SOURCES IN WRITING THIS PAPER. Papers that use outside sources as the basis either a direct and indirect quotation will receive an "F".

7) Remember, your paper is on the film -- not the brief "Historical Viewpoint" that accompanies it on the DVD.




Writing Tips:

1) you will probably to organize your response around a thesis statement (which you must underline to get credit for the paper). As we discussed in class, your thesis must answer the "how and why" questions, rather than simply assert an observation.

2) The readings do not directly address the internal African slave trade at any real length, so to answer that part of the question based of the textbook, you will have to extrapolate. (ex·trap·o·late, v.: to use known facts as the starting point from which to draw inferences or draw conclusions about something unknown). Keep in mind your responses to the short answer questions on the slave trade.

3) Consider you homework questions on the slave trade when doing this paper;we asked specific questions in order to prepare you to write this essay. You will find it a challenge to do this essay unless you go back to that homework.

SAMPLE PARAGRAPH:

(cl) The film accurately portrayed (phenomenon x). (ev) The scholar Prof. Fancypants notes that (historical fact y). This fact finds reflection in the film when (event y) occurs. (wa) (event y) accurately portrays (historical fact y) because (analysis t).

4) In those paragraphs in which you present evidence (and only those paragraphs), be sure to use warrants to explain how the evidence you supply supports your thesis.


So, one way to organize your paper might be:

I. INTRODUCTION

A. Establish the context for your argument. What are (briefly) the important facts your audience must know to read further (No more than 3 sentences)

Example: The historical accuracy of the film Adanggaman’s depiction of the slave trade in West Africa in the seventeenth century can be seen in A, B, and C. (where A,B, and C are aspects of the film that you note)

B. Thesis


I I. Point A

A. Claim
B. Evidence from film
C.
Evidence from readings or commodities chart)
D. Warrant

III. Point B

A. Claim
B. Evidence from film
C.
Evidence from readings or commodities chart)
D. Warrant

III Point C

A. Claim
B. Evidence from film
C.
Evidence from readings or commodities chart)
D. Warrant


V Conclusion

 

 

CHECKLIST:

A) Have you named the file properly (see top of page)?

B) Have you underlined your thesis that appears in the first paragraph?

C) Does your thesis answer the question I asked and explain why?

D) Have you addressed both the external and INTERNAL slave trades?

E) Do each of your points have accuracy and inaccuracy have evidence from BOTH the film and reading?

F) Have you identified your cl/ev/wa sections?